The Ballard Institute and Museum of Puppetry at the University of Connecticut will participate in the 13th Annual Connecticut Open House Day – a unified celebration of the state’s fascinating world of art, history, and tourism – on June 10, 2017. During this one-day event, the Ballard Institute will offer free tours at 1:00 and 3:00 p.m. of its current exhibitions: The World of Puppetry: From the Collections of the Ballard Institute and Banners and Cranks: Paintings and Scrolls in Performance.
On Connecticut Open House Day, more than 200 other organizations and attractions throughout the state will open their doors and offer special incentives to visitors. This exciting statewide event, sponsored by the Connecticut Office of Tourism (COT), is designed to broaden awareness among residents of Connecticut’s exceptional cultural and tourism assets and encourage them to become ambassadors who share their newfound discoveries with visiting family and friends.
The Ballard Institute’s free tours at 1:00 and 3:00 p.m. will feature these current exhibitions:
- The World of Puppetry: From the Collections of the Ballard Institute showcases an array of different puppets carefully selected from the Ballard Institute collections to reflect the amazing richness of global puppet traditions and contemporary innovations in puppetry. The exhibition includes an array of hand puppets, marionettes, rod puppets, toy theaters, and shadow figures from Asia, Africa, Europe, and the Americas, with particular attention to twentieth-century United States puppetry.
- Banners and Cranks: Paintings and Scrolls in Performance (Closing on June 11!): Cantastorias and crankies are forms of sung picture story-telling that trace their origins to sixth-century India. These paintings mounted on sticks, flipped over and revealed, or unfurled on scrolls and moved by means of a crank are performing object precursors to the popular puppet traditions of many countries. Despite the prominence of new technologies in popular culture, an innovative dynamic engagement with the simple mechanical cranky and cantastoria has blossomed among young puppet theater companies, activist educators, folk musicians, visual artists, playwrights, and students who infuse this old form with diverse new content and bold variations in technique.
For more information, contact: Ballard Institute and Museum of Puppetry at (860)486-8580 or bimp@uconn.edu